The percentage of users who rated this 3.5 stars or higher. It might have been premature. Own The Night sells high quality American Made night vision equipment. Copyright © Fandango. Eighteen-year-old Ingrid North can't wait to get out of her tiny hometown of Steadfast, Nebraska (population three hundred and forty-seven) to chase her dreams, but small-town troubles keep getting in the way. But, taken on its own merits, We Own The Night emerges as a solid, professional job with a keenly observed sense of time and place (the former 1988, the latter Brooklyn). The three first worked together on The Yards. Just leave us a message here and we will work on getting you verified. Joaquin Phoenix plays Bobby Green, not his real name, as the manager of a thriving Brooklyn nightclub, moving smoothly through the crowds every night, meeting and greeting, keeping an eye on everything, loved by a beautiful girlfriend (Eva Mendes). Just confirm how you got your ticket. Bujayev's nephew Vadim (Alex Veadov) is a dealer, using the club as his base of operations. Everything comes to a head. 'We Own the Night" was the slogan of the New York police in the 1980s, painted on the sides of their squad cars as a promise to take back the night from the drug trade. With a cast like this, one has a right to expect something amazing, so the fact that We Own the Night is merely "entertaining" might cause disappointment in some quarters. Bobby "Green's" father is Burt Grusinsky (Robert Duvall), the district police chief. Industry Entertainment, RT on DVD: The Brothers Affleck Lead the Pack With, Mr. With We Own Tonight, I cried three times before I hit the halfway mark! crime, 2929 Productions, The thing that stood was how he ultimately made the choice of going to honest route once his life was threatened. | Rating: 2.5/4 They had such a terrific experience that when Gray’s script found its way to Wahlberg and Phoenix they both decided to produce this film as well"¦ Here in may lie the problem. I very much enjoyed the plot of this film, and it had the right amount of drama, and sometimes action. Pretty good drama, We Own The Night is supported by a good cast and has a very good story. Please enter your email address and we will email you a new password. for strong violence, drug material,language, some sexual content and brief nudity, 'We Own the Night" was the slogan of the New York police in the 1980s, painted on the sides of their squad cars as a promise to take back the night from the drug trade. However I felt that towards the end of the film, director James Gray rushed to try and conclude his film. I overall liked the movie. |, July 6, 2010 It's not surprising, but it's engaging enough that most patrons will likely cut the director some slack for the out-of-period details and convoluted plot contrivances that make the film seem at once sloppy and too neat. Well, it appears as though the tables have turned since James Gray's last film, "The Yards", and now Joaquin Phoenix is owning the spotlight over Mark Wahlberg, only this time, we have a film that's not as good as "The Yards"... from what I hear, because I haven't seen any other James Gray films. Scenes where a protagonist is close to being unmasked almost always work. In, Night Stalker: The Hunt for a Serial Killer, Spike Lee Recieves American Cinematheque Award, America Has to Come to a Reckoning: Director Sam Pollard on MLK/FBI, The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction. As the film opens, there’s no love lost between prodigal Bobby and his dutiful brother and father. Still, what really places you in this world the most might have to be the acting, which isn't to say that everyone is great, though it is certainly to say that everyone plays his or her part with authenticity and charisma that leaves his or her role to comfortably fall into place and give this film human depth and believability. Format: Prime Video Change. Sign up here. We Own the Night Review By Jesse Hassenger James Gray has assembled what looks and sounds like a good, smart thriller with We Own the Night: a strong cast, serious aspirations, a … and to receive email from Rotten Tomatoes and Fandango. Don't have an account? We Own the Night reunites writer director James Gray with two of his favourite stars – Mark Wahlberg and Joaquin Phoenix. | Rating: 3/5 J ames Gray's latest crime drama has all his distinctive sobriety and gloom: a story of brotherly betrayal and redemption unfolding under heavy weather. by Joaquin Phoenix. The drama gains momentum in the second half, so the film gets better, but it's never too far from cliche. With a trailer opening like that, the title sounded like it could either go to a cool but generic crime film or a music video to one of those terrible dance club songs that they actually made in 1989 to get ready for the downfall of good music. Still, the film is made with confidence and energy and is well acted by the principals. What really stood out in this film was Joaquin Phoenix's performance as Bobby Green a night club manager whose father and brother are cops. They won't be able to see your review if you only submit your rating. The storytelling faults more often than it should, and often during points where it really doesn't need to fault, and with the story also going plauged by some repetition, the film's escalations are inconsistent and the film is left scattered all over the place. Can you just change your name and lose your identity? This renders the film rather underwhelming and sometimes overbearing, leaving its should-be entralling atmosphere to rarely grip you tightly and its potential to squander a bit. |. The chemistry between Robert Duvall, Mark Wahlberg and Joaquin Phoenix is the standout of this film, and more than makes up for the rushed ending. Lovers of good straightforward thrillers should find plenty to enjoy here. The film, … Coming Soon. We Own The Night; We Own The Night Review. When it premiered at Cannes this year, the international press held up James Gray’s We Own The Night as the perfect example of everything that typifies Hollywood cinema and judged it accordingly. It's a standalone romance that solidifies that Corinne lives off the tears of her readers. We Own The Night › Customer reviews; Customer reviews. Usually more than once or twice. Among the most-wanted: the Russian mafia, … All Critics (153) Pretty good drama, We Own The Night is supported by a good cast and has a very good story. Movies: We Own The Night; New York City, 1988. No year could be considered complete without the obligatory cop-family/friend drama, cast with seasoned actors. The club is owned by a Russian emigre named Marat Bujayev (Moni Moshonov), whose smile seems sincere, but who is said to control the area's drug traffic. Still, as things stand, the collapses into conventions are the least of this film's problems, with the film's biggest problem being missteps in James Gray's storytelling, which isn't to say that it's unrelentingly shoddy, though it is certainly spotty here and there, with moments of exposition and transition going glossed over to create some not terribly gaping, but rather offputting gaps in comfortable story flow, as well as moments of moderate overstyle in the tone, whether it be through the overbearing blasting of the soundtrack or simply too much emphasis on the environment, leaving certain moments of cool-down - some of which being fairly major - in the film to go a tad limp and damage the effectiveness of the story. Of course, if it's anything like this film, then, well, I watched all of his movies a long time ago and many times, because this is pretty darn similar to most every crime movie out there, only with a much cooler title. Products include night vision goggles, night vision monoculars, camera compatible systems, thermal cameras, weapon sights, helmets, helmet mounts and accessories. We Own Tonight is the newest addition to the fabulous Corinne Michaels' book library. One wonders if writer/director James Gray turned in a racier version of “We Own the Night” – the movie’s opening scene, which features a scantily clad Mendes fondling herself, is far friskier than anything that follows – only to be browbeaten by a skittish studio into toning things down during the shoot. However, even if the conventions were glaring and grating in this film, then they would, well, actually be the biggest of the film's worries, because the minor lapses in originality are problematic enough as they are, so one can only imagine how grating this film would be if it was on the level of genericism as a weeknight cable cop drama, only an hour longer. He likes the recognition and status that come with his job, but he doesn't want to accept the consequences. Mark Walhberg is the most failing actor recorded in by book, his character is boring, and Joaquin Phoenix, did he ever copy leo in Don’t worry, it won’t take long. |, November 18, 2011 | Top Critics (58) This is not precisely original material. The complexity of Bobby's motives grows intriguing, and the concern of his girl friend Amada is well-used. Of course, please not that I said that not "everyone" is great, for although the secondaries are good enough to supplement the situation, the situation is really brought to life by the one truly excellent performance, and by a person we expect no less from: Joaquin Phoenix. Amazed that they managed to take this sort of subject matter and make it boring. It is Gray's feel for the kinetic action sequence which is probably We Own the Night's greatest strength. But "We Own the Night" seems less original than the first two, maybe because of the Scorsese film, maybe because Russian gangsters have become the villains du jour (see them portrayed more urgently in David Cronenberg's " Eastern Promises "). Cinemark The palette may look as if its been coated in amber-hued honey, but the color choices drift from warm to cold over the course of the film, assisting the tone of the evolving story. We Own the Night has generally received positive reviews. I just feel that more effort could have been put into the ending. Then, the topic deals with the violent conflict between the Russian underworld and the NYPD, within the Brooklyn of the 80s. But this is an atmospheric, intense film, well acted, and when it's working it has a real urgency. 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